Melodies, not Shred. Sound, not Volume.
Mindset, not Muscle Memory.
1-on-1 coaching for guitarists who already play well — and want to play smart.
in 🇬🇧 and 🇩🇪
The Problem:
Most guitar coaching teaches you to play faster, cleaner, or more accurately. Almost none of it teaches you how to actually fit — into a band, a mix, a live sound, a song that isn’t about you.
I’ve spent the last five years on stages with 50,000 people watching, plugged into productions where one wrong sound decision is audible to everyone in the room. What I bring to coaching isn’t theory. It’s what actually works when the signal hits the FOH desk and the band has four bars to lock in together.
Who This Is For:
- Gigging guitarists who want to sound like a produced record, not a practice room
- Musicians who already have technique, but want to understand arrangement, sound design, and ensemble playing on a deeper level
- Solo performers (loop station, one-man-band setups) who want their arrangements to actually groove
- Anyone tired of guitar content that’s all about speed and none about musicality
This is not for:
- Absolute beginners
- Shredders looking to get faster
- Anyone looking for jazz theory or classical technique
What we can work on:
Band Interplay & Live Sound Design
How to lock in with a band so tight that the audience feels it, not just hears it. Timed delays, fast sound switches, side-chain style compression, low-pass filter sweeps — production techniques translated directly onto your instrument, so the FOH engineer gets a clean, mix-ready signal every time.
Kemper as a Production Tool, Not Just an Amp
Ten years as a Kemper power user, on every stage size from small clubs to stadiums. A modern flagship modeler isn’t a better amp simulation — it’s a production tool. Timed delays, fast sound switches, side-chain style compression, low-pass filter sweeps, multiple tuned profiles working together for a clean FOH signal. I show you how to actually use that potential.
Mix-Ready Acoustic Tone
How to process an acoustic signal through a multi-effect unit so it sits in a mix like a studio recording — not like a DI signal that needs fixing later.
Pop Theory That Actually Helps You Play
Working with scale degrees instead of chord names, so you always know where you are in a song — no matter the key, no matter the genre.
Melodies, Not Mindless Shredding
Anyone can shred. Can you make your guitar sing? We work on phrasing, restraint, and how to build a solo that serves the song instead of interrupting it.
One-Man-Band Arranging with Loop Stations
Ten years of turning cover songs into full-band loop arrangements, live, on the spot. If you play solo and want your set to actually groove — not just loop — this is for you.
Book your 1on1 session here:
Why me?
Professional Musician
Stadium + Arena Shows
Kemper Power User
Paid Gigs
Coffee drank
I don’t just play guitar. I think like a producer while I play — which means I approach sound design, arrangement and band interplay the way someone building a record would, not the way someone practicing scales would.
I also switch mindset by instrument. When I play bass, I play like a bassist, not like a guitarist covering bass. When I program drums, I program them the way a real drummer would actually play. That flexibility — moving between roles and understanding what each instrument actually needs to serve the song — is the core of everything I teach.